THE WOMAN IN THE DUNES - INTERVIEWS/ARTICLES | ||
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DARK CULTURE MAGAZINE 05/00 | ||
CHOLER MAGAZINE 12/01/01 | ||
AQUATULLE 02 | ||
INVISIBLE JUKEBOX (SOURCE UNKNOWN) 08/02 | ||
INTERVIEWED BY JARBOE 2001 | ||
THE HISTORY OF THE WOMAN IN THE DUNES | ||
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CHOLER MAGAZINE | ||
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Severin,
Severin Awaits You There
After the demise of the band that made him famous, former Siouxsie & the Banshees guitarist Steven Severin has crafted a more than noteworthy solo career. A volume of erotic prose/poetry. Surely no better use could be found for the artistic leanings of a man who shares an adopted surname with the lead character in Leopold von Sacher-Masoch's masochism study Venus in Furs (later immortalized by the Velvet Underground song of the same name). But that new volume of verse, The Twelve Revelations, is hardly all Steven Severin has to offer as a claim to fame. For almost 20 years he played bass with the seminal postpunk goth band Siouxsie and the Banshees, co-writing many of the band's tracks with the inimitable Siouxsie Sioux. Since the breakup of the Banshees in mid-1996, he's kept busy with a stunning array of projects -- some musical, some literary, as his web site, www.stevenseverin.com, betrays. Oh, and he built the site, too. Along with writing The Twelve Revelations, his recent projects have included recording two albums with a decidedly ambient vibe to them: Visions, an expansion upon his score for the unreleased (and infamously banned) film Visions of Ecstacy; and Maldoror, a series of music pieces written for a Brazilian theatre company in its performance of the surrealist "Os Cantos do Maldoror." In addition, he collaborated with equally eclectic recording artist Jarboe (late of seminal post-punk / proto-goths, Swans) on a surprising cover of Screaming Jay Hawkins' classic "I Put a Spell on You" for a dance production, The Woman in the Dunes. With such a wide range of things to talk about, it was inevitable that a chat with Steven Severin would make sharp right turns with little braking. That said, buckle up and enjoy the thought processes of a true artistic original. Joseph McCombs: What are the best and worst things that happened to you in 2000? Steven Severin: 2000 was hell! Both my parents were in hospital for a time, I split with my girlfriend (which in itself wasn't a bad thing except that we have a three year old daughter) and my building caught fire while Sadie was staying over! On a positive note, I loved working with the Tiger Lillies, Holy Body & Shakti & just before Xmas had a hilarious time over dinner with Siouxsie. We haven't had that much fun for years. The web site www.stevenseverin.com covers a lot of ground. Do you handle the site maintenance yourself, or do you have a faithful webmaster/webmistress? All my own handiwork (for better or worse). I've got Flash but haven't had time to play with it. The site probably needs a shot in the arm so a remodel is high on this year's agenda. Your post-Banshee products have been wildly varied -- between writing prose, writing music and performing, is there one outlet you find more or less rewarding than another? I see it all as one expression. Each discipline gives me a thrill. I studied photography prior to the band - that's something I might get into again especially now it is "digital." I'd like to make my own videos for my albums but again it's time that's against me rather than finance. You suggested, in the liner notes to Visions, that Nigel Wingrove's film Visions of Ecstacy "may not have the highest artistic integrity." What did you think of the film's quality? What's become of it in recent months -- still banned? I think that quote sums up my feeling toward the film. It is still banned in the UK and I think Nigel lost interest in releasing it anywhere else. It's best left alone to enjoy its unmerited cult status. When doing a project such as Visions, do you find it necessary to construct the music in such a way that someone who hasn't seen the movie (or other visual source) can get the same feelings and reactions as someone who has? Visions has a powerful theme so it was pretty straight forward editing the music into an album. If I had had to do more of an incidental score it could have been problematic. The fact is that there is no dialogue in the film so the music had to be strident from the outset. Was the erotic poetry of The Twelve Revelations something you'd been longing to do for a long time? Or did you wake up one day and hear a heretofore unawakened muse? Neither. It just evolved out of my lyric writing. I felt that the type of imagery I was creating was better served by being read and digested in the mind rather than be set to music & sung. Once I made that decision I could free up and express new avenues in both libido and intellect. Sounds cold and pretentious but that's not the way I set about the task. There's almost as much death imagery as sexual imagery in these poems. Is there something stimulating about extinction/oblivion? Sex/Death, Love/Lust - perennial themes of course but I see them more as "transformations" and I was aiming for an hysteria that would bring the work more into the realm of surrealism as opposed to 'gothic'. In the midst of all these erotic thoughts, there's a poem called "Cock Fight" that, to a first read, actually seems to be about roosters. Is that a gross misreading? Yep. It's partially inspired by the bullfight scene in The Story of the Eye & a scene in the film Cincinnati Kid. The final of the poems in The Twelve Revelations is called "The Floating World," though that phrase doesn't show up in the poem itself. Is there any connection between this and the Cynthia Kadohata novel of the same name (in which the floating world, or "ukiyo," represents a transient existence where the pleasure and loneliness of change comingle)? No. None. It's about abandoning oneself to a state of bliss not in search of enlightenment but for the danger itself. I used the 'Roman' way of death as a metaphor for commiting to this state of bliss, to move beyond this world into a sensual eternity. What do you think is the most powerful word in the English language? Freedom. It scares people to death. How did you arrive at "I Put a Spell on You" to retool for the Woman in the Dunes score? It's been covered many, many times -- which versions do/did you listen to? (My favorite is Nina Simone's reading.) It was Shakti's request - not something I would have chosen myself but it gave me the opportunity to work with Jarboe. Something I've wanted to do for a long time. Is there any pop music you enjoy these days? Or do you find most/all of it to be just so much manufactured prefab dreck? At one extreme I like William Orbit's production work with Madonna & All Saints; at the other -- Godspeed, You Black Emperor are probably the new saviours. I have a soft spot for Robbie Williams -- I like my 'pop' stars to be a touch tormented & melancholic. If my prayers are answered Britney will be a junkie before the end of the year. Wouldn't that be 'entertainment'? How are you ringing in the New Year -- anything special in store? No. In London (& single) for the first time in a while so I'll be fairly quiet. I can't wait to enter the real millennium & put last year's traumas behind me. I will stop smoking. Because I can't depart without saying something about your previous gig ... did you know there's a restaurant in San Francisco that almost named itself "Sushi and the Banshees"? (They opted for "We Be Sushi" instead, by the way.) What a cop-out! Our road crew used to refer to us as "Spooky & the Banjos/Bashed Knees" (depending) behind our backs and "Sir" & "Mistress" to our faces. ;-) Joseph McCombs 12/01/01 |
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INTERVIEWED BY JARBOE | ||
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Steven Severin is
impeccably well-mannered and refined. He is also witty, an amazing bass
player, composer, and author. When I first met him, and we 'shook' hands
in greeting, I thought he was the embodiment of Lestat from the A. Rice
novels. He wore lush velvets and a long black leather coat...The flesh
of his hand was so smooth and pale and elegantly cold. Yet Steven
Severin is full of life and completely contemporary. He inspires me with
his writing (The Twelve Revelations), and moves me with his beautiful
textural musical pieces such as Maldoror. Famous, of course for his long
term involvement in Siouxsie and the Banshees, I wanted to find out more
about the creative forces of the man behind the rock star. Severin: Unless I have a deadline I tend to gestate ideas for ages. In my mind I'm working on 'The Twelve Reflections' a collection of prose/poems that is a sequel to 'The Twelve Revelations' which is due to be published this fall, 'The Pleasure Cage' a novella that uses the human body as a metaphor for its 'structure' 'Saint Fire' a story or series of that revolves around:- St. Anthony & his temptations, the CIA & their early LSD experiments and Gustave Flaubert and The Sphinx! One of my ongoing musical projects will at some point involve 'a character' reading from a fictional diary. I'm itching to do some 'hackwork' & I have been offered the chance of a column in a new magazine, The Edge. What inspires me? The banality of mankind! Since I was very young I've always felt the need to retreat into my head & scratch around the rim of my imagination to shut out the trivia & carelessness of the world outside. Stylistically, early on - Burroughs, Genet & Ballard later - Alain Robbe-Grillet, Angela Carter & Georges Bataille. Jarboe: What are three must-read classics in your view? What are the three well-thumbed volumes in the Severin library? Severin: A Clockwork Orange, 120 Days Of Sodom, Crash Jarboe: (note: excellent choices!) Jarboe: What are three truths you have found in life that you consider essential (...and will reveal to us)? Severin: 1. Stand away from yourself & check that you are not turning into your father. 2. Stand away from yourself & check that you are not falling into the traps prescribed by your class. 3. Stand away from yourself & check that you are not becoming complacent with your own talents Jarboe: What is a soundtrack you personally think is a masterpiece? Severin: Nino Rota's score for 'Fellini's Casanova' Jarboe: What known soundtrack would you currently choose to accompany a film about you? Severin:
Anything by Bernard Hermann. Hitchcock's 'Vertigo' is a favourite. Severin: Goya's 'Black paintings' because the walls they are painted on would have to become part of my home ;-) Jarboe: (appropriately sensual) Jarboe:
What is the current atmosphere in London with regards to music and the Severin: The 'Underground' is as lively & naively boisterous as ever. But one does sense something needs to 'happen' to shake the foundations. I don't think there is one particular reason why London keeps rejuvenating itself. There are many factors:- island mentality, multi-cultural society, the loss of the empire, love of the under(dog)achiever and now we have a history - we can plunder our own back pages. Jarboe: !!! Courtesy of Jarboe |
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